Program

* All times are in Graz local time (CEST / UTC +2)

Monday, July 12

Doctoral Symposium

  • João Pedro Ribeiro
  • Marta Pérez-Campos
  • Lydia Czolacz
  • Samuel Beilby
  • Kimberley Bianca
  • Juliana Valentim

Chairs: Angela Ferraiolo & Marko Ciciliani

Tuesday, July 13

Artist Talks Stream

  • Alberto de Campo, Hannes Hoelzl, S4NTP
  • Stephen Roddy
  • Tivon Rice
  • Tiago Martins, Mariana Seiça & Pedro Martins
  • Tasos Asonitis
  • Fabian Weiss
  • Kai-Luen Liang
  • Rihards Vitols
  • Kyle Booten
  • Ben Benhorin
  • David Schmudde
  • Jim Reeve-Baker
  • Jules Rawlinson
  • Robert Lisek
  • Hanns Holger Rutz & Nayarí Castillo
  • Nima Bahrehmand
  • Şölen Kıratlı, Hannah Wolfe & Alex Bundy
  • Dávid Maruscsák, Máté Bredán & Mátyás Boldizsár
  • Aaron Oldenburg
  • Zoe Li
  • Alyssa Aska, Alisa Kobzar, Alexander Kremser, Margarethe Maierhofer-Lischka & Daniele Pozzi

Wednesday, July 14

Performance Talks Stream

  • Yuzhu Chai
  • Karl F. Gerber
  • Daniel Bisig, Ephraim Wegner & Harald Kimmig
  • Viola He
  • Seth D. Thorn
  • Ryan Olivier
  • Mariana Seiça, Sérgio M. Rebelo, Nuno Lourenço & Pedro Martins

Keynote Speakers

Portrait of Yuk Hui

Yuk Hui wrote his PhD thesis under the French philosopher Bernard Stiegler (1952-2020) at the Goldsmiths College London and his Habilitation at the Leuphana University Lüneburg. He is author of several monographs including On the Existence of Digital Objects (2016), The Question Concerning Technology in China, An Essay in Cosmotechnics (2016/2019), Recursivity and Contingency (2019) and Art and Cosmotechnics (June 2021). His books have been translated into French, German, Polish, Spanish, Portuguese, Italian, Chinese, Japanese and Korean. He teaches at the City University of Hong Kong.

Portrait of Špela Petrič

Špela Petrič BSc, MA, PhD, is a Slovenian new media artist and former scientific researcher, currently employed at the Vrije Universiteit Amsterdam. Her practice is a multi-species endeavour, a composite of natural sciences, wet media, and performance. She envisions artistic experiments that enact strange relationalities to reveal the ontological and epistemological underpinnings of our (bio)technological societies and challenge the scope of the adjacent possible.

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